The Monologue Method finally answers the question that has been thrown to me for decades—'Where can I find really good monologues for students, and some guidance for using them well?' This is a beautifully shaped, immensely useful resource--a lifetime of work between its covers, packed with an artist's ambition and heart, a teaching artist's savvy, and an educator's understanding of young artistry. This is great acting instruction, great monologues, and a great way for students to grow into their artist selves."
Eric Booth
Founder of Juilliard’s Art and Education Program; Broadway Actor; Author;
former faculty at Juilliard, Lincoln Center Education, Tanglewood
50 original monologues with rich opportunities to engage the young actor through characters that reach beyond stereotype, and with classroom-appropriate content
15 lesson plans and starters, complete with detailed instructions, to reinforce content, encourage critical thinking, and build creative confidence
tools, processes, and vocabulary, presented to accommodate both new and experienced acting students
insights and tips for educators as they take on the role of director, includes guidance for teaching the content as well as specific insights for directing each monologue
a unique, simple, powerful tool for peer response that invites valuable student interactions while supporting a respectful tone and enhancing classroom management
Actor Workbook contains only The Collection, The Craft, and Reflective Process for Actor Response
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Single copies of the Teacher Edition are $55, and single copies of the Actor Workbook are $35,
with nice discounts available for multi-book orders.
Remember: each student should have their own copy of the Actor Workbook.
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Author
Carolyn has been a theater professional for over 40 years, having worked as performer, director, producer, playwright, composer, improvisation artist, teaching artist, and corporate trainer. Since 2000 she has been the Producing Artistic Director of Theater Craft Inc which specializes in small-cast productions and new work. Her award-winning work as a theater-maker boasts a wide variety of projects, from directing and producing the workshop and full production of Edward Morris’ The Passion of Ethel Rosenberg to writing and directing The Curious Picnic, a STEM-focused play for very young children, which toured into schools in the fall of 2018 through Tennessee Performing Arts Center Education. Other full-length plays and musicals include: Airship at Vapor Station, Signs of a New Day: The Z.Alexander Looby Story, Burden of Justice, Jo-fina, Ghostlight, and Nashville: The Music City Musical. For seven years Carolyn was the Supervisor of Theater and Music for Metro Nashville Parks Cultural Arts, cultivating arts programming for Nashville's broad demographic. There she created the Young Performers Program, which included both classes and performance opportunities for young people age 8-19. Her work also included custom-crafting content to maximize success for older adults, and working with Parks' Disabilities Program to create a performance program for adults with disabilities. She also managed the Z.Alexander Looby Theater, and created the Centennial Black Box Theater. Carolyn has created and teaches a series of classes such Cabaret Repertoire, and Improv Comedy for the Musical Artist. As a lyricist and composer, Carolyn continues to write and perform her musical work, such as in her one-woman show Unsolicited Advice show which played at NYC’s iconic Don’t Tell Mama. Carolyn holds an MPS in Training and Development, and provides consulting services in the arts, organizational development, and creative productivity, as well consulting on multi-use facilities, and patron-focused programming.
Lead Teaching Artist for The Monologue Method
Jill comes to The Monologue Method with a wide rage of expertise and experience. What began as a degree in Theatre and Speech ending up as a double major, to include music composition. Jill's dedication to songwriting and composition have yeilded a bounty of songs (with her musician and composer husband, Tom Montgomery), and two full-length musicals. Jill is also an actor, (and a proud member of SAG`AFTRA and AEA), as well as a respected director, for both screen and stage. Jill additionally is an accomplished Dialect Coach, having worked with numerous actors and film/stage projects to fine-tune the most nuanced of accents to character perfection. Currrently, Jill finds her work as a teacher and a Teaching Artist as the most compelling. She was mentored as an instructor and director for Ruth Sweet’s The Acting Studio and then she later opend The Dramatic Arts Studio. Jill became a Teaching Artist for Tennessee Performing Arts Center in the 1990's, being trained and mentored by Lincoln Center TA’s, as well as by the ‘guru’ of Teaching Artistry, Eric Booth. During nearly three decades of teaching Aesthetic Education principles, Jill has excelled at facilitating classroom-teacher trainings, weaving her full scope of teaching experiences into helping classroom teachers find their footing-- and then their passion-- in the performing arts. "When that happens, teachers are eager to learn effective ways to spark this passion in their students, facilitating skills that the students can confidently take with them to the stage, or to a boardroom, and every career in between. Empowered teachers empower students." Jill loves what she does, whether it is helping an actor on set with an accent, teaching young actors from around the world how to audition effectively or create a character, or helping classroom teachers believe in their own artistry enough to confidently guide students to profound arts experiences.